A Vernacular of File Formats (2009 - 2010)
A Vernacular of File Formats (2009-2010). Photoshop RAW, JPEG, JPEG 2000, PNG, BMP, Photoshop, TIFF, GIF, Targa.
Digital Prints on Dibond (matte finish). The Vernacular of File Formats Archive is part of the Base collection of Stedelijk Museum Amsterdam (including all the files + documentation of the Vernacular)
Digital Prints on Dibond (matte finish). The Vernacular of File Formats Archive is part of the Base collection of Stedelijk Museum Amsterdam (including all the files + documentation of the Vernacular)
When noise becomes filter art [ or when cool becomes hot ], (2010 / edited 2017)
Glitches are hot. It is clear from what we see on MTV, Flickr, in the club or in the bookstore: while the Glitch: Designing Imperfection (Moradi, 2009) coffee table book introduced a glitch design aesthetic to the world of latte drinking designers, Kanye West used a glitch aesthetic to illustrate his broken love life.
But while glitch design fulfills an average, imperfect stereotype, a filter or commodity that echoes a medium is the message-standard, naturally, the “No Content - Just Imperfection” slogan of hot glitch design is still complimented by cool glitches.
In "The Laws of Cool", Alan Liu asks himself: What is "Cool"? He describes that cool is the ellipsis of knowing what is cool, and withholding that idea. However, as Liu writes, those who insist on asking, are definitely uncool. In an effort to answer the question that cannot be answered, and come full circle on the ellipsis, I will try to give my take on what cool glitch can be. To me, cool glitch is represented by the glitches that do not (only) focus on a static end product, but (also) on a process, a personal exploration or a narrative element (that often reflects critically on a medium). This is why cool is in a constant state of flux; it exists as an assemblage that consists of on the one hand the construction, operation and content of the apparatus (the medium) and on the other hand the work, the writer/artist, and the interpretation by the reader and/or user (the meaning). In the end, there is not one definition of cool glitch art, but many, which depend on the perspective chosen.
To make what was once cool now hot, or visa versa, and to take Designing Imperfection one step further, I hereby offer you A Vernacular of File Formats. In this PDF I describe the ways to exploit and deconstruct the organizations of file formats into new, brutalist designs.
…I am waiting for the first “Glitchs not dead“ peace of clothing in H&M. And because "fans are as bad as the ignorant", for the sake of being bad and ignorant, I will wear it!
UCNVs "Glitchs is not dead" shirt design, 2011.
Order and Progress. Fabio Paris Gallery. Brescia, Italy. 2010.
Vernacular of File Formats ft. Kim Asendorfs Extrafile. Expositie for Re:Visie NFF augustus t/m 30 september 2011.