Collapse of PAL
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produced for TV-TV
curated by
Kristoffer Gansing
and Linda Hilfling Ritasdatter
(2010)
This rendered version of the Collapse of PAL was produced during my residency at LabMIS São Paulo in 2011,
thanks to IMPAKT (NL).
Live performance in Brasil with Defi, Optical Machines and B. Fleischmann, commissioned by David Quiles Guilló / Nova Rojo
produced for TV-TV
curated by
Kristoffer Gansing
and Linda Hilfling Ritasdatter
(2010)
This rendered version of the Collapse of PAL was produced during my residency at LabMIS São Paulo in 2011,
thanks to IMPAKT (NL).
Live performance in Brasil with Defi, Optical Machines and B. Fleischmann, commissioned by David Quiles Guilló / Nova Rojo
The Collapse of PAL (rendered version, 2010)
In the Collapse of PAL, the Angel mourns analogue signals superseded by Digital Video Broadcasting (DVB). She wants to make whole what has been broken but remains passive, rationalising PAL’s demise as inevitable: the signal was just not good enough.
New to digital image processing, she still believes each update introduces improvement. But unbeknownst to her, the digital paradigm has already locked her into the endless ascent of a PenRose-Staircase to Nowhere (the paradox of Progress)
New to digital image processing, she still believes each update introduces improvement. But unbeknownst to her, the digital paradigm has already locked her into the endless ascent of a PenRose-Staircase to Nowhere (the paradox of Progress)
