Unresolved (2020)
8448 x 4 CM
long painting on canvas,
or
data file to be wrapped
on hardware
long painting on canvas,
or
data file to be wrapped
on hardware
8448 x 4 CM long painting on canvas, or data file, to be wrapped over hardware (a painting of 32 x 32 pixels wide, 1 pixel deep, both sides)
Inspired by the 2011 works “Beyond Yes and No” and “29 PARALLEL STRIPES”, by glitch artist Beflix, Unresolved explores an alternative method of painting data.
Using a bitmap image, Menkman followed the linear organization of pixelelated data: in a BMP file, the image data (luminocity and chrominance) is encoded pixel by pixel, in a linear fashion, one after the other.
In Unresolved, every pixel or point of data is painted on a 64 meter long canvas strip, and then mounted on a frame.
When hung correctly, unrolled over hardware with the right dimensions, Unresolved displays a double sided image - on one side Menkmans portrait, and on the other side a message in DCT (Menkman’s cryptographic tool from 2015): BEYONDRESOLUTION.
Through this work, Menkman presents the ways in which a bitmap file, when ‘opened’ on different hardware, can create alternate modes of reading and seeing: the hardware defines what is perceived.
some images of the making of: 32 stripes of canvas were encoded, sewn into a very long strip, and painted.
Inspired by the 2011 works “Beyond Yes and No” and “29 PARALLEL STRIPES”, by glitch artist Beflix, Unresolved explores an alternative method of painting data.
Using a bitmap image, Menkman followed the linear organization of pixelelated data: in a BMP file, the image data (luminocity and chrominance) is encoded pixel by pixel, in a linear fashion, one after the other.
In Unresolved, every pixel or point of data is painted on a 64 meter long canvas strip, and then mounted on a frame.
When hung correctly, unrolled over hardware with the right dimensions, Unresolved displays a double sided image - on one side Menkmans portrait, and on the other side a message in DCT (Menkman’s cryptographic tool from 2015): BEYONDRESOLUTION.
Through this work, Menkman presents the ways in which a bitmap file, when ‘opened’ on different hardware, can create alternate modes of reading and seeing: the hardware defines what is perceived.
some images of the making of: 32 stripes of canvas were encoded, sewn into a very long strip, and painted.